MARTOR 16 / 2011

Towards an anthropology of success • Pour une anthropologie de la réussite

Contents • Sommaire

 

Daniela MOISA
Pour une anthropologie de la réussite

Postcommunist success stories • Histoires de réussite dans les pays postcommunistes

Bogdan IANCU
The Golden Age of Termopane. The Social Life of Post-Socialist Windows

Daniela MOISA
Du couteau à la maison. Pratiques et matérialités de la réussite au village de Certeze

Răzvan DUMITRU
Politics and Practices in Post-Soviet ‘Business’: between shame and success

Răzvan NICOLESCU
Solid Houses and Distant Homes. The Morality of Domestic Space in Southeast Romania

Șerban VĂETIȘI
The Material Culture of the Postsocialist City. A Success/Failure Perspective

Petruț CĂLINESCU
Paris – Negrești. Work migrants in between homes
— Photographic essay

Negotiating success and failure • Négocier la réussite et l’échec

Ana MARIN
Le rôle de la honte dans le contexte d’un avortement. L’exemple de la Moldavie

Jocelyn GADBOIS
La face cachée de la réussite. L’exemple du Texas Hold’em en ligne et hors-ligne

Olha OSTRIITTCHOUK
La victimisation comme stratégie politique gagnante et moyen de reconnaissance sociale dans les sociétés postcommunistes (l’exemple de l’Ukraine)

Cheryl KLIMASZEWSKI, James M. NYCE, Gail E. BADER
“Success stories” as an evidence form: Organizational legitimization in an international
technology assistance project

Museology: Museum authors • Muséologie : Auteurs de musées

Gabriela NICOLESCU
The Museum Device. Notes from the making of an exhibition

Interview with Dragoș NEAMU
ARCA Museum in Dumbrăveni. Armenian memory in suitcases

Proiect editorial co-finanțat de Administrația Fondului Cultural Național. / This issue of Martor has been published with the financial support of the National Cultural Fund Administration (AFCN Romania).

Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabil de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării. / This project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or the ways its results may be used. These are entirely the responsibility of the beneficiary.