MARTOR 23 / 2018
CURATING CHANGE IN THE MUSEUM
DOI: www.doi.org/10.57225/martor.2018.23
Coordinators: Gruia BĂDESCU, Simina BĂDICĂ, Damiana OȚOIU
Contents • Sommaire
Entrance Hall. Curatorial Statement.
Gruia BĂDESCU, Simina BĂDICĂ, Damiana OȚOIU
Curating Change in the Museum: Introduction to the Volume
First Hall. Transitional Museology: Museums React to Social and Political Change
Joel PALHEGYI
Revolutionary Curating, Curating the Revolution: Socialist Museology in Yugoslav Croatia
Charline KOPF
Dakar’s Museum of Black Civilisations: Towards a New Imaginary of a Post-ethnographic Museum
Njabulo CHIPANGURA
Working with Contested Ethnographic Collections to Change “Old Museum” Perspectives: Mutare Museum, Eastern Zimbabwe, 2015-2017
Study Corner. The Antidote Museum 25 Years On
Irina NICOLAU
The Museums of the World and I. My Museum Experience in an Eastern European Country
Florian FOUCHÉ, Marianne MESNIL
Le musée antidote mis en pratique: regards croisés d’un artiste et d’une ethnologue sur le Musée du Paysan Roumain
Second hall. The Antifragile Museum: Embracing Change
Cheryl KLIMASZEWSKI
Towards a Typology of an Emergent Museum Form
Selma HARRINGTON, Branka DIMITRIJEVIĆ, Ashraf SALAMA
Cracks and Light: Observing the Resilience of the History Museum of Bosnia and Herzegovina
Flaminia BARTOLINI
From Iconoclasm to Museum: Mussolini’s Villa in Rome as a Dictatorial Heritage Site
Martijn van GILS
Material Remembrance in Contentious Spaces: Framing Multi-Scalar Memories and National Culpability in the Museo della Fondazione della Shoah
Third Hall. Museums Reviews and Interviews
Jasmina AL-QAISI
Objects + Things = Stuff. A Visitor’s Guide to Berlin’s Museum der Dinge
Irina HASNAȘ HUBBARD, Iulia IORDAN
Elephants, Cuckoos, Horses, and Me. A Different Exhibition About Toys
Exit Through the Bookshop
Janet Marstine, Critical Practice: Artists, Museums, Ethics, New York: Routledge, 2017, 212 pp. (recensé par Martin HULLEBROECK)
Visual Archaeologies
by Viviana IACOB
Proiect editorial co-finanțat de Administrația Fondului Cultural Național. / This issue of Martor has been published with the financial support of the National Cultural Fund Administration (AFCN Romania).
Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabil de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării. / This project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or the ways its results may be used. These are entirely the responsibility of the beneficiary.