MARTOR 23 / 2018

CURATING CHANGE IN THE MUSEUM

DOI: www.doi.org/10.57225/martor.2018.23

Coordinators: Gruia BĂDESCU, Simina BĂDICĂ, Damiana OȚOIU

Contents • Sommaire

Entrance Hall. Curatorial Statement.
Gruia BĂDESCU, Simina BĂDICĂ, Damiana OȚOIU
Curating Change in the Museum: Introduction to the Volume

First Hall. Transitional Museology: Museums React to Social and Political Change
Joel PALHEGYI
Revolutionary Curating, Curating the Revolution: Socialist Museology in Yugoslav Croatia

Charline KOPF
Dakar’s Museum of Black Civilisations: Towards a New Imaginary of a Post-ethnographic Museum

Njabulo CHIPANGURA
Working with Contested Ethnographic Collections to Change “Old Museum” Perspectives: Mutare Museum, Eastern Zimbabwe, 2015-2017

Study Corner. The Antidote Museum 25 Years On
Irina NICOLAU
The Museums of the World and I. My Museum Experience in an Eastern European Country

Florian FOUCHÉ, Marianne MESNIL
Le musée antidote mis en pratique: regards croisés d’un artiste et d’une ethnologue sur le Musée du Paysan Roumain

Second hall. The Antifragile Museum: Embracing Change
Cheryl KLIMASZEWSKI
Towards a Typology of an Emergent Museum Form

Selma HARRINGTON, Branka DIMITRIJEVIĆ, Ashraf SALAMA
Cracks and Light: Observing the Resilience of the History Museum of Bosnia and Herzegovina

Flaminia BARTOLINI
From Iconoclasm to Museum: Mussolini’s Villa in Rome as a Dictatorial Heritage Site

Martijn van GILS
Material Remembrance in Contentious Spaces: Framing Multi-Scalar Memories and National Culpability in the Museo della Fondazione della Shoah

Third Hall. Museums Reviews and Interviews
Jasmina AL-QAISI
Objects + Things = Stuff. A Visitor’s Guide to Berlin’s Museum der Dinge

Irina HASNAȘ HUBBARD, Iulia IORDAN
Elephants, Cuckoos, Horses, and Me. A Different Exhibition About Toys

Exit Through the Bookshop
Janet Marstine, Critical Practice: Artists, Museums, Ethics, New York: Routledge, 2017, 212 pp. (recensé par Martin HULLEBROECK)

Fiona Candlin. Micromuseology. An Analysis of Small Independent Museums, London and New York: Bloomsbury Academic, 2016, 224 pp. (reviewed by Anca-Maria PĂNOIU)

Visual Archaeologies
by Viviana IACOB

Proiect editorial co-finanțat de Administrația Fondului Cultural Național. / This issue of Martor has been published with the financial support of the National Cultural Fund Administration (AFCN Romania).

Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabil de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării. / This project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or the ways its results may be used. These are entirely the responsibility of the beneficiary.