MARTOR 20 / 2015
Bodies / Matter – Narratives of Corporeality
Coordinators of the issue: Alexandra ION and Corina DOBOȘ
Contents • Sommaire
Alexandra ION and Corina DOBOŞ
Introduction: Historicizing the Body
I. Bodies as Scientific Objects at the Turn of the Century
Oana MATEESCU
The Medium of the Body: Photography and the Senses in the Psychic Laboratory
Corina DOBOŞ
Hormones, glandes et criminalité: “l’unité somato‐psychique” du délinquant dans la Grande Roumanie
II. In Sickness and in Health: the Medical Body
Constantin BĂRBULESCU
“Some Weak and Ill Beings.” The Topic of Race Degeneration and the Representations of the Corporality of the Rural Population in the Medical Discourse in Romania (1860‐1910)
Andrei MIHAIL
Chronic Isolation: Experiencing a Cured Disease at the Leprosarium of Tichilești
III. Corporeality: from Performance to Representation
Melinda BLOS‐JÁNI
Children Addressing the Camera. Performing Childhood in Transylvanian Home Movies from the 1930s
Raluca BOBOC
Making Sense of the Sapiential Body. A Reading of the Sense Organs in Proverbs
Laura GRÜNBERG
Knowledge through Gendered Body‐Centered Surveillance
Cristina BOGDAN
Y a-t-il un corps du péché et de la maladie? La Paresse et la Peste dans l’iconographie
religieuse roumaine (XVIIIe-XIXe siècles)
IV. The Body on Display
Cosmin MANOLACHE, Lila PASSIMA
The House of the Soul
Gabriela NICOLESCU, Lila PASSIMA, Corina DOBOŞ
Displaying the Undisplayable: Nameless in the World. An Exhibition on the Pro-Natalist Policies of the Ceaușescu Regime
V. Field Notes on Corporeality
Jana AL OBEIDYINE
Being Carolyn Carlson: An Auto‐Ethnography of Exploring the Body as a Site for Knowledge Transmission
Mirel BĂNICĂ
The Mother of Us All. A Few Considerations on the Female Archetype and the Body during Pilgrimages
Anca‐Maria PĂNOIU
Son propre corps sur les mains des autres. La manipulation quotidienne du corps souffrant
VI. Book Reviews
Proiect editorial co-finanțat de Administrația Fondului Cultural Național. / This issue of Martor has been published with the financial support of the National Cultural Fund Administration (AFCN Romania).
Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabil de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării. / This project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or the ways its results may be used. These are entirely the responsibility of the beneficiary.