MARTOR 18 / 2013
Remembering Childhood
Contents • Sommaire
Ioana POPESCU, Simina BĂDICĂ
Two Introductions
(Auto)ethnographies of Contemporary Childhood
Mihaela PRECUP
Children, Heroes, and Foes in a Communist Family Album
Iuliana DUMITRU
Childhood in 2 Mai. An Insider’s Perspective
Anamaria IUGA
Children’s Part in Performing Customs
Cristina BEZZI
Romanian “Left Behind” Children? Experiences of Transnational Childhood and Families in Europe
Visual Traces and Oral Histories
Melinda BLOS-JÁNI
Men with the Movie Camera between 1945 and 1989. Domesticating Moving Image Technology under Communism
Simona ADAM
Growing Up in Banat Region. Childhood Memories in Life-Stories
Nadezhda VELINOVA GALABOVA
The Image of the Teacher in the Reminiscences of Sofia English Language School’s Alumni from the 1970s
Museology of Childhood
Lila PASSIMA
Childhood – The World Seen Through Binoculars
Rodica MARINESCU
The Childhood Museum – Guestbook
Georgeta ROȘU
Clay toys in the Collection of the Romanian National Peasant Museum
Bogdan IANCU
The Károly Kós Experiment: Participatory Museography, Material Culture and Childhood
Reviews
Sanda GOLOPENŢIA (ed.), Școala sociologică de la București [The Bucharest Sociological School], special issue of the journal Secolul 21 (review by Stelu ȘERBAN)
Smaranda VULTUR, Francezi în Banat, bănăţeni în Franţa. Memorie şi identitate [The French in Banat. People of Banat in France. Memory and Identity] (review by Ana PASCU)
History and Anthropology. Special Issue: Politics and Performance in South-Eastern Europe 1/2013 (review by Stelu ȘERBAN)
Proiect editorial co-finanțat de Administrația Fondului Cultural Național. / This issue of Martor has been published with the financial support of the National Cultural Fund Administration (AFCN Romania).
Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabil de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării. / This project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or the ways its results may be used. These are entirely the responsibility of the beneficiary.