MARTOR 27 / 2022

FROM TRANSCRIBING ORALITY TO ORAL PRACTICES OF WRITING. RURAL AND POPULAR CULTURES IN THE DIGITAL ERA

(Download the PDF with the entire issue)

DOI: www.doi.org/10.57225/martor.2022.27

Coordinators: Dr. Anamaria IUGA, Dr. Frosa PEJOSKA-BOUCHEREAU; Dr. Krassimira KRASTANOVA; Dr. Corina IOSIF.

Contents • Sommaire

Anamaria IUGA, Frosa PEJOSKA-BOUCHEREAU, Krassimira KRASTANOVA, Corina IOSIF
Introduction. From Transcribing Orality to Oral Practices of Writing

I. Writing Orality. Production and Legitimation of the Past

Anete KARLSONE
Heritage-making: Written Texts in the Transmission of Traditional Knowledge of Natural Dyeing

Olga Vl. MALTSEVA
The Amur Fishermen: Their Mythical History in the Oral and Written Dimensions

Mirela FLORIAN
Letters in Verse from the Great War

Diana MIHUȚ
Recording One’s Own Oral Culture: A Case Study of Locals’ Notebooks

Florenţa POPESCU-SIMION
When People Write as They Speak: An Analysis of Letters Left on the Miraculous Graves of Bellu Catholic Cemetery

II. Orality as a Tool. The Production of the Continuous Present

Christina ALEXOPOULOS DE GIRARD
Expression corporelle et récit de soi à travers la médiation filmique : témoignages oraux de femmes macédoniennes confrontées aux violences de la guerre civile grecque

Laura JIGA ILIESCU
The Handwritten Recipe Notebook as a Place of Memory

Mélanie NITTIS
Une oralité fonctionnelle à l’ère du numérique : le cas d’Olympos (Karpathos, Grèce)

Stefana YOROVA
Identification Narratives, Local Stories, and Virtual Communication

Marin CONSTANTIN
“I Like It!” Experiencing Mediascapes in the Artisanship of Prahova County

III. Orality on Display

Krassimira KRASTANOVA, Maria KISSIKOVA, Elitsa STOILOVA
Creative Traditions and Cultural Projects: Re-thinking Heritage through Experience

Ioana CORDUNEANU
Embroidery with a Cause: Ten-year Anniversary of Semne Cusute [Sewn Signs]

IV. Book Reviews

Ana Pascu, and Valeria Olenici. 2021. Povești în șezătoare. Illustrated by Beatrice Iordan. Bucharest: Martor, 160 p.
(Reviewed by Maria MATEONIU-MICU)

Dagnoslaw Demski and Dominika Czarnecka, eds. 2021. Staged Otherness. Ethnic Shows in Central and Eastern Europe, 1850-1939. Budapest – Vienna – New York: Central European University Press, 449 p.
(Reviewed by Stelu ȘERBAN)

Speranța Rădulescu. 2021. Regards sur la musique en Roumanie au XXe siècle. Musiciens, musiques, institutions. Translated from the Romanian by Cécile Folschweiller. Paris: L’Harmattan, 184 p.
(Reviewed by Mariana HURJUI-SĂU)

MARTOR applies to all published materials the Creative Commons Licence “Attribution-NonCommercial-NoDerivatives CC BY-NC-ND,” allowing others to download the published works and share them with others as long as they credit the author, but they can’t change them in any way, or use them commercially.

Proiect editorial co-finanțat de Administrația Fondului Cultural Național. / This issue of Martor has been published with the financial support of the National Cultural Fund Administration (AFCN Romania).

Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabil de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării. / This project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or the ways its results may be used. These are entirely the responsibility of the beneficiary.